Od królowej Anny do królowej Wiktorii. Ciało i umysł. Tom 8
Obecny, ósmy, tom serii "From Queen Anne to Queen Victoria" [„Od królowej Anny do królowej Wiktorii”] z jednej strony kontynuuje temat brytyjskiej XVIII- i XIX-wiecznej literatury i kultury, a z drugiej stanowi zwrot ku tomom definiowanym nie tylko przez zakres chronologiczny, ale i tematyczny. Publikacja skupia się na kwestiach osobowości, tożsamości i umysłowości, a także ciała, materialności i ucieleśniania w kontekście rasy, klasy, płci czy kultury materialnej.
Publikacja na licencji Creative Commons Uznanie autorstwa 3.0 PL (CC BY 3.0 PL) (pełna treść wzorca dostępna pod adresem: http://creativecommons.org/licenses/by/3.0/pl/legalcode).
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The present, eighth, volume of the series 'From Queen Anne to Queen Victoria' continues readings in 18th and 19th century British literature and culture, marking a turn towards volumes defined not only chronologically, but also thematically. It focuses on the issues of personhood, self-identity and the mind, as well as the body, materiality and embodiment, in relation to race, class, gender and the material culture.
The publication is licensed under the Creative Commons Attribution-ShareAlike 3.0 Poland license (CC BY 3.0 PL) (full license available at: https://creativecommons.org/licenses/by/3.0/legalcode).
Lucyna Krawczyk-Żywko
Foreword 7
Dorota Babilas, Małgorzata Łuczyńska-Hołdys, Magdalena Pypeć
Introduction 9
Mary Jacobus
Rambling and Romanticism: The Right to Roam 17
Przemysław Uściński
A Solitary Wanderer: Tourism and Romantic Subjectivity in William Beckford’s Travel Writing 35
Małgorzata Łuczyńska-Hołdys
“O for a Life of Sensations rather than of Thoughts!”: Aestheticist Ideas in the Poetry of John Keats 51
Aleksandra Jarecka
Searching for Libertalia: Uncharted 4 and Its Reimagining of the Golden Age of Piracy 63
Tomasz Wiącek
The Discourse of Power in Gilbert and Sullivan’s The Pirates of Penzance; or the Slave of Duty 77
Monika Mazurek
Pastiche as a Medium for Teaching Empathy in George MacDonald’s St. George and St Michael 91
Rosario Arias
“I Know that I Exist”: Lorna Gibb’s A Ghost Story as an Assemblage of Matter and Spirit 103
Mary Newbould
The “Shows of London”, and Late Eighteenth-Century British Novels 115
Małgorzata Nitka
“Move, move, everything moves”: The Representations of the Body–Machine Relation in the Literature of Factory Reform 131
Joanna Kokot
On the Threshold of Detective Fiction: The Mystery of a Hansom Cab by Fergus Hume 145
Rebecca Boylan
Raping Her Locks Beneath the Trees: A New Reading of Tess d’Urberville & Marty South 161
Dorota Babilas
“A whole cat world”: Domesticity, Consumerism, and Insanity in Cat Paintings of Louis Wain 175
Trish Baer
Under the Influence: Charles Altamont Doyle and “The Fairy’s Whisper” 189
Dorota Osińska
Between Musicality and Materiality: Harry Clarke’s Illustrations to Selected Poems of Algernon Charles Swinburne (1928) 203
Notes on Contributors 215
Name Index 219
