Ikonotheka 2019/29

Tematem przewodnim numeru jest zagadnienie zmysłów w sztuce od późnego średniowiecza do współczesności. Artykuły polskich i zagranicznych badaczy poświęcone są m.in. zmysłowemu doświadczaniu rzeźb dewocyjnych, roli zapachu i smaku w martwych naturach, tworzeniu wystaw sztuki angażujących wiele zmysłów. Zeszyt otwierają perspektywy kuratorek, historyczek sztuki oraz artystek, dotyczące znaczenia zmysłów w ich twórczości. Czytelnik znajdzie w nim również prace o charakterze teoretycznym, podejmujące próbę usystematyzowania badań nad zmysłowością procesu twórczego i odbioru sztuki. The issue focuses on the role played by the senses in the arts from the Late Middle Ages until now. Topics addressed by Polish and International scholars include: the sensory engagement with devotional sculptures, the role of the sense of smell and taste in still-life paintings, multisensory art exhibitions. The volume opens with four statements of curators, art historians and artists about the meaning of the senses in their practices. The reader is also invited to explore essays of a broader methodological scope, which seek to provide a theoretical framework for dealing with the senses in making and experiencing art.

Introduction / 5 Statements Mariett a Cambareri Multi-Sensory Approaches to Art in Museum Settings: A Curator’s View /9 Capucine Gros From Art-Viewing to Art-Experiencing: Perspectives of an Artist / 15 Deborah Howard The Role of the Five Senses in Cultural Transmission / 19 Mary Sherman (with contributions by Florian Grond) In Praise of Frozen Sound: Audifying Painting / 21 Articles Ika Matyjaszkiewicz The Robe of Corporeality: Sensual Aspects of Medieval Representations of Crucified Christ in the Tunica Manicata / 33 Diana Rafaela Pereira Healing Touch: Clothed Images of the Virgin in Early Modern Portugal / 51 Clim Wijnands Reflections of the Hidden Duchess and the Moon King: The Tabula Scalata and the Engaged Beholder in Sixteenth-Century Italy / 79 Sara Benninga The Changing Perception of the Five Senses / 103 Julia Saviello Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life /123 Christian Dieter Sauer Smell and Taste in Art: Suggestions towards a Systematic Approach /151 Antje von Graevenitz Another Form of Blindness – a Symptom of an Artistic Viewpoint: Glossing the Work of Marcel Duchamp / 177 Karen Westphal Eriksen Blindness as Empathy: The Politics of Touch in Works by Dan Sterup-Hansen / 205 Hanna Doroszuk Applying the Avant-Garde: Display Experience in the Exhibition of Modern Art (1948) / 229 Tanja Zimmermann Objects of Embodiment: A “Post-Material Turn” in Exhibiting Lost Material Culture / 249 Reviews Zuzanna Sarnecka Justyna Balisz-Schmelz, Przeszłość niepokonana. Sztuka niemiecka po 1945 roku jako przestrzeń i medium pamięci [The Unsurmountable Past: The German Post-1945 Art as the Space and Medium of Memory], Kraków, Universitas, 2018, 363 pp. / 277 Obituary Włodzimierz Lengauer Andrzej Wyrobisz: In Memory of a Friend / 283