Ikonotheka 2020/30

Introduction / 5 Articles Tomáš Murár “A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History? / 9 Aleksandra Fedorowicz-Jackowska ‘Through a Microscope from a Telescopic Distance’: Witkacy, Cameron and the Photography of Faces / 31 Łukasz Kiepuszewski Face Substances. The rhetoric of Kapists’ self-portraits: between self-reflection and confession / 51 Anna Cheipesh The Impact of Historic Events on the Formation of the Creative Method of Ernest Kontratovych in the Early Period (1930s-1940s) / 69 Szymon Piotr Kubiak Gratitude. The Red Army Memorial in Szczecin: A Geographical, Topographical, and Biographical Perspective / 89 Kamila Dworniczak Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s / 113 Piotr Majewski Constructing the canon: exhibiting contemporary Polish art abroad in the Cold War era / 135 Contents Karolina Kolenda The Grass is Greener: Władysław Hasior in an Ecocritical Perspective / 155 Ewa Kędziora Archaeology of the present. Israeli art after the Al-Aqsa Intifada / 173 Marta Wódz Intimate listening and sonic solidarity. Radio in the works of Radio Earth Hold collective as a way towards the sonic turn / 191 Reviews Kamila Dworniczak Symcha Trachter. Reconstruction / 211