Natural Storytelling / Visual Storytelling

Publikacja pod red. Andrzeja Mellina, na którą składają się dwa eseje poświęcone scenariopisarstwu: - Mitko Panov, "Visual Storytelling" - Jan Wagner, "Natural Storytelling" Książka w języku angielskim.

INTRODUCTION 5 Visual Storytelling 7 FILM GRAMMAR: RULES AND REGULATIONS 10 The Shot 10 Requirements 11 The Cut 24 FILM RHETORIC – DEVIATIONS FROM THE RULES 28 Figures of speech – Figures of film language 31 Figures of addition and omission 32 Figures of arrangement 41 Figures of Repetition 44 Figures of replacement or similes 49 Bibliography 61 INTRODUCTION 5 Natural Storytelling 7 1. INTRODUCTION 8 2. STORYTELLING – THE BASICS 10 3. WHAT ARE THE GENERAL FEATURES OF A STORY? 19 4. CHARACTER – PROTAGONIST – HERO 21 4.1. What should the main character be like? 23 5. INTERNAL STRUCTURE OF THE PROTAGONIST–> STRUCTURE OF THE STORY 26 5.1. Character molecule 29 6. ANTAGONISTIC FORCES – CONFLICT 30 6.1. Story Molecule 31 7. ELEMENTS OF THE STORY STRUCTURE 35 7.1. Opening 35 7.2. Igniting Incident 38 7.3. Crisis of the first act 40 7.4. Point of no return 43 7.5. Consequences of the first act crisis 46 7.6. Trying to deal with the new question 47 7.7. Reminder of outer plot 48 7.8. Development towards next threshold 48 7.9. Midpoint 49 7.10. Beginning of double bind 50 7.11. Hook sinks in 52 7.12. Intensified pressure 52 7.13. Catastrophe 53 7.14. Moment of silence 54 7.15. Climax 54 7.16. Resolution 56 8. STORY MODEL 59 9 . THEME 60 10. HOW TO TELL A STORY? HOW TO WRITE? 63